Paris is not Rome, and rare are the visitors who come here to visit its churches. But, although officially secular since 1905, France used to be “La Fille aînée de l’Eglise” (the Eldest Daughter of the Church) and has a great Christian heritage.
Of course Notre-Dame cathedral is the choice number 1, but I think it’s its façade which is the most interesting and the interior is always too much crowded to really appreciate. And if you prefer the silent atmosphere of an emptier church, just cross the Petit-Pont (or the Pont-au-Double) and visit church Saint-Séverin, at the entrance of the touristic heart of Saint-Michel area.
Entering by the back door on rue Saint-Jacques, you’ll immediately get in the most interesting part, the « forest of columns » produced by the double ambulatory, and notably the central column with its palm-tree shape, testifying the Flamboyant Gothic architecture (late 15th century) of this part of the church. All around, you can also note the modern stained glass windows: although abstract, they symbolize the 7 sacraments of Christianity.
If you’re a church aficionado, just cross Rue Saint-Jacques, and you’ll find Saint-Julien-le-Pauvre, in Square Viviani (also mentioned in my Maoz article). Much smaller, but not of a least interest, it notably displays icons, and has a beautiful iconostasis (Saint-Julien-le-Pauvre is the Greek Byzantine Catholic church of Paris).
Details about this spot (Show on map)
Eglise St-Séverin | Art & culture, Relaxing | Free
1 rue des Prêtres Saint-Séverin | Quartier Latin
Mon – Sat 11:00 – 19:30, Sun 09:00 – 20:30




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Dear Fred
I visited St.Sévérin on Sunday, in the morning and again just before sunset. It is as you describe it, – it’s just one thing I miss in your article: the impressive and moving glass windows, the vitraux, of Jean R. Bazaine. I think that it does not matter, whether you are a Christian (especially a catholic to whom the 7 sacraments mean a lot) or just interested in art; I suppose that no one having a closer look at these windows will leave untouched. And the combination with the very special pillars, the ensemble, is fascinating. yours sincerely, Michael